The vintage of 2012 at Disznókő – Tokaj

Start of botrytisation, September 17th

Here in Bordeaux harvest has just begun. We will speak further about the potential of the reds next week. The subject today is the great “vins liquoreux” of Sauternes and Tokaj. At Château Suduiraut we are waiting for the arrival of the Botrytis, with an excellent quality potential on the vines. The absence of Botrytis so far is actually quite positive in Bordeaux: it means we have been able to take our time with the reds and give them some extra days ripening before beginning the harvest. So I am sure the team at Château Suduiraut will understand if I say that we can still wait a few more days before Botrytis conditions arrive, so that we can bring in what looks like an excellent red wine harvest before beginning in Sauternes.

However, in Tokaj, they have already begun, and have harvested some seriously good aszú berries. László Mészáros, the talented Director of Disznókő, has matters well in hand, and sent me over the attached analysis of the harvest until today, which I hope will give you a picture of how the year has been in Tokaj, and how things are going so far. All the signs are encouraging!

Christian Seely

The situation for the vintage 2012 is, at the moment, very similar to that of 2011. There has been:

- an extremely hot and dry summer

- early ripening, but a very slow settling of Botrytis and development of botrytised berries.

Winter was mild but it lasted for a relatively long time. Bud break was late, starting on 23rd April but, because of the hot and dry late spring, blossoming was earlier than usual, at the end of May.

The summer was extremely hot and dry, reaching nearly 40 ˚C several times.
By the end of August the grapes were almost already ripe.

The first day of the harvest for Dry Furmint, September 10th

The grapes for dry wines were harvested from the 10th to the 13th of September, earlier than ever. We picked very ripe and healthy grapes, with still remarkably fresh acidity. Most have just completed their fermentation, producing well-balanced and fresh wines with good acidity.

The Botrytis arrived very slowly on the Furmint grapes and resulted in the first aszú grapes being ready to pick by the 11th of September.

Furmint Aszu grapes, September 13th

These bunches are the result of a particularly fine botrysation along with intense shriveling, or passerillage, of the Furmint grapes.

Zéta on 28th August

Oddly, the Zeta vines, always the first to provide remarkable quantity of aszú grapes, have remained healthy till today (beginning of October).

Botrytisation develops, September 27th

The rains that arrived in mid-September have intensified the development of Botrytis on the Furmint.

Aszu grape picking, September 13th

The harvesting of aszú grapes is underway. We are collecting aszú berries that are particularly fine and concentrated in the central slopes on the west side.

László Mészáros

Muscat aszu grapes, September 11thFurmint aszu grapes, September  11th

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Lagares Girls at Quinta do Noval

It is harvest time in the Douro, and we started our first lagares at Quinta do Noval last week. It is looking very good so far.

This weekend however, our lagar was unusually picturesque. Traditionally grape treading was an exclusively masculine activity – to the point that female presence in the lagar room at all was actively discouraged. This has now all changed, at least at Quinta do Noval, where in fact the (usually male) treaders now work under the orders of Senhora Ausenda Matos, our oenologist in charge of the lagares.

Ausenda Matos in charge of things in the Quinta do Noval Lagar.

Ausenda Matos in charge of things in the Quinta do Noval Lagar.

But to take things a little further still Corinne Michot, our brand ambassador who spends a lot of time at Quinta do Noval, organized an exclusively female lagar last Saturday. Men were banished from the room this time, but one or two photographs have survived which prove that from an aesthetic point of view there is a lot be said for gender equality in the winery. It remains to be seen whether the resulting Port wine will be characterized by the same seductive female character as the treaders themselves. We will taste the wine blind against Port trodden by males and let you know if there are discernible differences, in which case we may decide to take this experiment further next year.

First part of the Treading : line up, along the lagare.

First part of the Treading : line up, along the lagare.

 2nd part of the Treading :the free treading.On this picture, we can see, from the left to the right, Branla, Paula, Rosa, Lurdes, Marta and Gisela of the Quinta do Noval team.

2nd part of the Treading :the free treading.On this picture, we can see, from the left to the right, Branla, Paula, Rosa, Lurdes, Marta and Gisela of the Quinta do Noval team.

Corinne Michot distributing refreshing glasses of Coates and Seely to the thirsty workers (I would not normally approve of their stemware, but alas real glasses are not allowed in the lagares for obvious reasons). From the left to the right, Corinne Michot, AXA Millésimes Brand Ambassador, Paloma Ezcurra (C10), Caroline Furstoss (Thoumieux).

Corinne Michot distributing refreshing glasses of Coates and Seely to the thirsty workers (I would not normally approve of their stemware, but alas real glasses are not allowed in the lagares for obvious reasons). From the left to the right, Corinne Michot, AXA Millésimes Brand Ambassador, Paloma Ezcurra (C10), Caroline Furstoss (Thoumieux).

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The Magic of Quinta do Noval

Quinta do Noval Vintage Nacional 1997

Quinta do Noval Vintage Nacional 1997

I am in New York today for a very exciting vertical tasting of Vintage Ports from Quinta do Noval. The tasting is in fact billed as a Quinta do Noval Vintage Nacional Vertical, which indeed it is, but I was very keen to show some Vintage Ports from Quinta do Noval made from the rest of the vineyard, since the Vintage Nacional is great because of where it is, in the heart of Quinta do Noval, and so I think it is important to speak also of the great Vintage Ports of Quinta do Noval when we speak of the Vintage Nacional.

Quinta do Noval

Quinta do Noval

Quinta do Noval is a very singular Port House. The only one of the major traditional Port houses to be named after its vineyard rather than a founding family, the only one whose principal Vintage Port is always a Single Quinta Port in the sense that it comes from one vineyard only and proudly declares that fact on its label, and the only one of the traditional Gaia based shippers that has moved all its operations up to the Douro and is now entirely based there. It is clear that the vineyard of Quinta do Noval is at the heart of the identity of Noval, and is the principal determinant of the character and quality of the wines that we make there.

So Quinta do Noval itself is exceptional and outstanding. I have had the pleasure and privilege to look after this great vineyard for the past nineteen years, and though it may be objected that I am not entirely impartial, I can confirm that it is a very special place. The notion of a great wine being the expression of a particular place is at the heart of the concept of terroir which is behind the great wines of the world, notably in Burgundy and in Bordeaux, but also elsewhere, and it is certainly at the heart of my way of thinking about Quinta do Noval and the wines we make there.

Situated in the centre of the Douro Valley, its terraced vineyards clinging to the hillsides overlooking the Pinhão and Roncao valleys, and also overlooking the Douro itself, Quinta do Noval is a magically beautiful place. The wines that we make here, whether they are Vintage Ports, Ports destined to become fine old tawnies, or in recent years, red wines made from the Douro Port wine varieties, have distinguishing characteristics that mark them out, and which I believe spring from the nature of the place itself.

Great Quinta do Noval wines have a wonderful delicate fine aromatic quality, that needs time to develop and reveal itself. Vintage Ports such as the Quinta do Noval 1955 and 1966 – inspirations to me when I started there – have this quality, as do for example the Quinta do Noval Vintage Ports of 1997 and 2000, and as do red wines such as the Quinta do Noval 2009 or the various varietal Tourigas that we have made at Noval in the past few years.

Quinta do Noval Vintage Nacional 1994

Quinta do Noval Vintage Nacional 1994

I stress the character of the vineyard of Quinta do Noval because I believe that the Vintage Nacional is the supreme expression of the personality of Quinta do Noval, and is only able to exist because of its situation at the heart of Quinta do Noval’s vineyard. Any discussion of Vintage Nacional that just focuses on the five acres of Nacional vines without taking into account the great vineyard of Quinta do Noval that surrounds it will I think miss the point. Of course, Vintage Nacional is exceptional and extraordinary because it is made from grapes from ungrafted vines. But these ungrafted vines can only survive as they do because of the place where they are planted, surrounded as they are by the rest of the vineyard of Quinta do Noval, which has been producing great Port wines for centuries.

So although today’s tasting is principally a vertical tasting of various vintages of Vintage Nacional, I thought it particularly important to show some Vintage Ports from the rest of Quinta do Noval’s vineyards, so we shall begin by tasting Quinta do Noval Vintage 2003 and Quinta do Noval Vintage Nacional 2003, followed by the Quinta do Noval Vintage 2000 and the Quinta do Noval Vintage Nacional 2000, and then compare the 1997 Quinta do Noval Vintage and the 1997 Quinta do Noval Vintage Nacional 1997. What I hope these first three Vintages will show is that although the Vintage Nacional is always different, with its own clear and distinct personality, there is a strong family link with the Quinta do Noval Vintage Ports, which although in each case clearly different from the Vintage Nacional, can often aspire to similar heights of greatness, being just different expressions of one great vineyard.

I am very much looking forward to this epic tasting. After the first three comparative tastings, we shall go on to taste the Quinta do Noval Vintage Nacional 1996, 1994, 1975,1970,1967,1966, 1964, 1962, and will finish with the legendary 1963. I will be posting another blog about the tasting next week. In the meantime, here are a couple of links that might be of interest.

The Magic of Vintage Nacional

Quinta do Noval Vintage Nacional

If you have trouble watching this video, view the web version here

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Domaine de l’Arlot: launch of the new website

Domaine de l'Arlot

Domaine de l'Arlot

We have just launched the new website for Domaine de l’Arlot: www.arlot.com. You can read and visualise far more about Domaine de l’Arlot by linking to the site than by reading anything I can say here, but as someone who looks after vineyards in several very different places, I can say that I find Domaine de l’Arlot to be very special.

Although AXA Millésimes is probably more readily associated with giant properties such as Château Pichon-Longueville Baron, Château Suduiraut or Quinta do Noval, Domaine de l’Arlot is nonetheless at the heart of what we do, and quite illustrative  of our approach to viticulture and winemaking. I was recently interviewed by Jane Anson for the South China Morning Post for a very interesting piece she wrote about Bordeaux and Burgundy, in which she interviewed several people who work in both places. I recommend you link to it to see her conclusions about the differences between Bordeaux and Burgundy.

I do not consider myself to be Bordelais Burgundian or indeed Portuguese for the obvious reason that I was born somewhere else, no matter how much I love working in all three places. Although of course there are huge differences, I am in fact as an outsider working on the inside  more struck by the recurrent themes and points of resemblance, than by any notion that these great regions and the winemaking theories that underly their greatest wines are somehow opposed to one another.

Whether working in the Douro Valley, Pauillac or Sauternes, the vital importance of the place from which the wine comes is something that one understands as a progressive revelation as time goes by. Naturally there are points of comparison with one’s neighbours, who can make very different wines from vineyards that are sometimes just a few metres away; but it is also an observable fact that within these great vineyards certain parcels produce wines of definable characteristics that can be consistently recognised in the tasting room, allowing of course for vintage variation.

The importance of place in determining the nature of a great wine is probably the principal lesson I have drawn from my experience of the past twenty years. Of course the wine does not make itself, and the dedication of many highly skilled and hard working people is necessary to enable that particular piece of earth to express itself in a glass of wine, but I believe that without the terroir all those efforts would be in vain.

And of course Burgundy is earthly paradise for any one who believes this. I do not think there is anywhere else on earth with such extraordinary diversity of terroir, expressed in such a fascinating and individual way by so many great producers and their wines. Within our own property you have the striking example of our two Clos Monopoles: Clos de l’Arlot and Clos des Forêts St Georges. Both part of the same property, on the same hillside, separated by a hundred metres or so, planted with Pinot Noir and cultivated and vinified by the same people, these two wines have strikingly different personalities, which are observable year after year when the wines are young, and which persist as the wines age in bottle. If you want a perfect illustration of what terroir means, buy a bottle of Clos de l’Arlot and Clos des Forêts St Georges from the same year and taste and enjoy the difference. Better still: buy a case of each, if you can find them, and repeat the experience often over the next few years!

Clos de l'Arlot

Clos de l'Arlot

Clos des Forêts Saint Georges

Clos des Forêts Saint Georges

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Effeuillage at Château Pichon-Longueville Baron

Château Pichon-Longueville Baron

Château Pichon-Longueville Baron

This week we are in the vineyard with Joël Dupuy, the chef de culture at Château
Pichon-Longueville Baron, who will show us what we are doing in the vineyard at the moment, the effeuillage.

As you will see, this process demands a lot of careful manual work: it is
designed to give the bunches of grapes maximum access to the available sunshine,
at the same time giving them protection from the hotter afternoon sun by only
removing leaves on the side facing the rising sun. It is just one of the myriad
tasks that must be meticulously performed in order to achieve the goal of having
the most perfect grapes possible at harvest time for making the wine of Château
Pichon-Longueville Baron.

If you have trouble watching this video, view the web version here

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